a.m., London, July 2015.
Two complementary passages that I came across during the early stages of researching weird nails, the performance piece I’ve been developing for the past six months or so. With less than a week before the work-so-far is shared with an audience, I find it reassuring to remind myself of them…
José Esteban Muñoz, Cruising Utopia, the Then and There of Queer Futurity:
An emphasis on means as opposed to ends is innately utopian insofar as utopia can never be prescriptive of futurity. Utopia is an idealist mode of critique that reminds us that there is something missing, that the present and presence (and its opposite number, absence) is not enough.
Ursula Le Guin, The Dispossessed:
…and the separation of means and ends was, to her, false. For her, as for him, there was no end. There was process: process was all. You could go in a promising direction or you could go wrong, but you did not set out with the expectation of ever stopping anywhere, all commitments thus understood took on substance and duration.